SLJ gives a star to SUMMER OF THE MARIPOSAS!!

We’re celebrating here at Tu Books today, because one of our fall books, Summer of the Mariposas by Guadalupe Garcia McCall, has received a starred review from School Library Journal. Our first star as an imprint, in fact! Celebrate with us and get a peek at part of the review:

“Written in the style of magic realism, this is an enchanting look at Mexican mysticism, coupled with the realistic celebration of the true meaning of family. The sisters’ relationships are believably drawn, and the juxtaposition of modern realities and ancient Aztec mythology elucidates the importance of the spiritual side of life in Latin cultures. The plot is well paced, with the illicit nature of the girls’ entry into Mexico adding drama to their adventure. While some readers may find the interweaving of the magical elements somewhat unsettling at first, they are sure to be intrigued by both the unusual qualities of the mythical characters and the sense of adventure that lies behind every twist and turn of the girls’ revelatory journey. As with McCall’s Under the Mesquite (Lee & Low, 2011), this is a peek into Mexican American culture, but its ties to the supernatural add an interesting dimension.”

YAY!

A Is for Anansi conference

If you’re in New York City and have the time (i.e., you’re not out volunteering or salvaging your own home) the A Is for Anansi conference at NYU this weekend is still on, despite the university being shut down for the week after the hurricane due to flooding and electrical outages. That is now taken care of and they’re getting back on their feet, and looking forward to discussing literature for children of African descent on Friday evening and all day Saturday.

There’s an RSVP number at that link, but if that isn’t working (I’ve heard there might be troubles with it), don’t worry—just show up. The conference is free to the public, so anyone may come.

I’ll be on the fantasy/science fiction panel on Saturday, along with Nnedi Okorafor and Zetta Elliott, which I’m really looking forward to. We’ll be talking about the  scarcity of fantasy/science-fiction books featuring children of African decent and how we hope to fix that. I hope you can make it!

November 9-10th, 2012

Location for all programs: Kimmel Center-NYU,

60 Washington Square South, E&L Auditorium, 4th Floor

Friday 6 p.m.–8 p.m.

Saturday 9 a.m.–after 5 p.m.

Nanowrimo resources: diversity in your Nano (writing cross-culturally)

Vieja Maquina de Escribir. / Old Writing Machine.
Courtesy Gonzalo Barrientos/Flickr

Are you starting off on your yearly Nanowrimo marathon? If so, perhaps you’re thinking about how to diversify your cast or settings. Preferably both, right? This month I’m working on at least one new diversity post, but I also thought perhaps a list of existing resources in one place would be useful. Most of these links, which I’ve been sharing via Twitter and Facebook as I find them, can also be found on the CBC Diversity Resources page, specifically on the resources for writers page, along with resources directed at other publishing professionals such as editors, sales and marketing, and booksellers. I’ve added a few more recent articles/sites that I’ve recently run into, as well.

This is kind of a hodgepodge of links, but I think it’ll help you have plenty to think about. If I run into anything more in the next couple of days, I’ll likely add it. Most of these links apply to writing cross-culturally, but as I like to remind people, this can mean anyone writing from a perspective not their own. I’ve talked to New York City-based writers who make assumptions about Iowans based on what they’ve seen on TV that I as a Midwesterner find unbelievable at best. I’ve known probably as many writers of color who want to write about different cultures that fascinate them as white writers who would like to write about people of color. In all of these cases, if you aren’t writing “what you know,” then research is involved. You have to know what questions to ask, what assumptions you’re making because of your own worldview that your character wouldn’t make. These resources will help you with that.

Though, beware, there’s a lot of info here. If you’re Nanoing, perhaps you might want to go with one at a time to leave yourself time to write!

Stephen King’s Super-Duper Magical Negroes

Nnedi Okorafor examines Stephen King’s use of the “Magical Negro” trope and discusses how it can be avoided.

Chimamanda Adichie: The danger of a single story

Chimamanda Adichie’s transformative TED talk, The Dangers of a Single Story, shows us what happens when writers focus on only one kind of story, and how a multitude of voices from minority cultures need to be heard for that danger to pass away.

Appropriate Cultural Appropriation

When writing cross-culturally, we need to remember whether we’re acting as an invader, a tourist, or a guest. Nisi Shawl addresses how to watch out for stereotypes, bad dialects, and other problematic portrayals of people of color.

Transracial Writing for the Sincere

Nisi Shawl’s resources for those who want to get it right when they want to write cross-culturally; how to do your research.

Challenge, Counter, Controvert: Subverting Expectations

Uma Krishnaswami on challenging subverting expectations in our writing.

 

Describing characters of color in writing

N.K. Jemison on how to describe characters of color in your writing without resorting to cliches and stereotypes.

Part 1: http://nkjemisin.com/2009/04/ways-to-describe-characters-of-color/

Part 2: http://magicdistrict.wordpress.com/2009/07/30/describing-characters-of-color-pt-2/

Part 3: http://nkjemisin.com/2010/02/describing-characters-of-color-3-oppoc/

The Microaggressions Project

A Tumblr that seeks to provide a visual representation of the everyday of microaggressions, “brief and commonplace daily verbal, behavioral, or environmental indignities, whether intentional or unintentional, that communicate hostile, derogatory, or negative racial slights and insults toward people of color.” Each event, observation and experience posted is not necessarily particularly striking in and of themselves. Often, they are never meant to hurt—acts done with little conscious awareness of their meanings and effects. Instead, their slow accumulation during a childhood and over a lifetime is in part what defines a marginalized experience, making explanation and communication with someone who does not share this identity particularly difficult.

 

Monika Schröder on Saraswati’s Way

Uma Krishnaswami on insider vs. outsider narratives (as she discusses Saraswati’s Way with Monika Schroder).

Don’t put my book in the African American section

N.K. Jemison’s response to the segregation of black writers (and often as a result, readers) in some libraries and bookstores.

 

Parenthetic Comma Phrases, Anyone?

Uma Krishnaswami on the use of parenthetic comma phrases to explain cultural details to the reader as if the reader were always an outsider to the culture. How else might these details be conveyed without alienating readers who come from that culture?

White Privilege: Unpacking the Invisible Knapsack

Peggy McIntosh provides a classic list of privileges which a white middle class woman enjoys that many of other socioeconomic statuses or races do not. An example for writers seeking to write from a perspective not their own to muse on their own privileges, whether similar or different, so they can see their blind spots.

 

Things I Don’t Have to Think about Today

In the same vein as the above, science fiction writer John Scalzi talks about “Things I Don’t Have to Think about Today” paired with his post on narrative usurpation, covering why he wrote “Things I Don’t Have to Think about Today.”

“Things I Don’t Have to Think about Today”

Narrative Usurpation

 

Mitali Perkins on Writing Race

A Checklist for Writers

 

There’s no such thing as a good stereotype

N.K. Jemison on the “strong female character” stereotype that also connects with racial and cultural issues.

 

Interview Wednesday: Stacy Whitman of Tu Books, a Lee and Low Imprint

Uma Krishnaswami interviews Stacy Whitman about using cultural experts to read cross-cultural writing or to check details of a controversial or historical subject (even when the writer is of that culture).

 

Is my character ‘black enough’?

From my own blog (be sure to read the comments section).

 

My SCBWI Winter Conference 2012 talk on writing multicultural books

Notes from my SCBWI Winter Conference talk in which I quote from the book below (questions to ask to knowing what questions to ask)

A Beginner’s Guide to the Deep Culture Experience: Beneath the Surface

This book by Joseph Shaules is directed to potential US expats living abroad helping them to think about cultural differences and ways to adapt to their new countries and enjoy the journey. But when read from the perspective of a writer, the questions Shaules raises can be applied to world building and culture building in writing.

 

Beyond Orcs and Elves

My talk on the need for diversity in fantasy and science fiction (includes a resources for writers section in part 3).

 

The Language of the Night
This book is unavailable electronically and also out of print, but if you can find Ursula K. Le Guin’s collection used or at your library, published by HarperCollins in 1978 and 1989, two excellent essays for writers on diversity are “American SF and the Other” and “Why Are Americans Afraid of Dragons?”

New Visions extension announcement

As I was talking about yesterday, Hurricane Sandy has affected us at Lee & Low—our office is still currently without power—o we understand that it has made it hard especially for those in the path of the storm to get your New Visions entry into the mail. After all, in the middle of all this, a lot of us have more important things to worry about, like electricity and food. Subway and train service is also still a problem, which might be essential for someone trying to get to the post office, and I’m not sure if many affected post offices are back up and running yet.

In light of that, we’re announcing today that we’re going to grant a 2-week extension to the New Visions contest. Our new deadline is Nov. 14. Like the original deadline, that is a postmark deadline. As long as your entry is postmarked by Nov. 14, your entry has hit the deadline. We hope this extension particularly helps those in the path of the storm, but it applies across the board.

All the other guidelines remain in effect. The contest page will be updated when we are able to do so—can’t change it myself and those who can don’t have access right now.

Given that those who need this deadline most might not even have electricity right now, please share this far and wide and please retweet, Facebook, and share on your blogs and other social networks today and perhaps a few times later this week. Please get the word out. Thanks, and for those who are hardest hit by this storm, our thoughts are with you.

P.S. If you’re in another area and wondering how you can help with the hurricane, I’ve heard that they have had to cancel several local blood drives due to the infrastructure damage. If you can donate blood, that might be the best thing you can do, particularly because on the night of the storm they had to evacuate an entire hospital down at NYU. You might also consider donating money to the Red Cross.

Logistics of New Visions due to Hurricane Sandy

I have just weathered the hurricane in relative style—thankfully, my neighborhood came out relatively unscathed compared to other places. I still have power and internet (mostly, though some flickers), and I live on high ground. A friend and I just took a walk around the neighborhood, and the worst most of us got here were some downed trees and branches and some business canopies half-torn off. Down by the river, it’s still high, but thankfully in this neighborhood there’s not much down by the river except a park.

Further downtown it’s not such a bright tale, especially down by the waterfront here in Manhattan and in Brooklyn and Queens, and particularly over in New Jersey, which seemed to have gotten the brunt of it. From the press conference I just saw with Greg Christie, it’s going to be a while for New Jersey to really recover from this. The word “unprecedented” keeps coming up—this was a storm like no other on record in this area. It looked like a Cat 1, but the winds and the storm surge acted more like a Cat 3 or 4, from what I hear.

What that means for the New Visions contest, since I’ve gotten a lot of worried emails in the last couple of days from people worried about their entry either being received on time, or people in the path of the storm who haven’t been able to get out to mail their entries:

The deadline is a postmark deadline of Oct. 31, not a receipt deadline. So as long as you’re able to mail your entry by tomorrow, you’ll be fine.

However, particularly for those in the path of the storm, I understand that you’ve got a lot more on your mind right now than writing, and we don’t know when full services like the subway and the post offices will be back to normal. For today, I’m just going to encourage those of you who can to mail your entries by tomorrow. Tomorrow we’ll probably know a lot more about the assessments of damage and timelines and such, and I’ll know whether I can even get in to the office this week. So tomorrow once we know a little more, I’ll announce if we might be able to allow a small extension, particularly for those in the path of the storm, in the greater New York/New Jersey area particularly. I don’t know yet, but I wanted to reassure you that we understand and sympathize, as we’re dealing with this storm as well.

For now, if you can make it to the post office by tomorrow, just go ahead and send your entry that way. No need for any special delivery services like FedEx or UPS—in this situation, it will be *harder* for them because they don’t know when they’ll be able to get back into New York City, so from what I understand they’re not taking packages. The post office will go ahead and take your package, and they will deliver it when they can. As long as the postmark is Oct. 31 or earlier, you’re fine.

Thanks for your patience as we figure out what’s going on in the aftermath of this storm.

 

What will the world look like in 100 years?

What would she have thought of our world?

We want to know what you think. What will the world look like in 100 years? Will it be better? Worse? What kind of technological and social changes do you predict? Will I finally get my flying car?

 

Comment over at the Lee & Low blog for a chance to win a copy of Diverse Energies!

 

 

 

 

 

 

Tu’s third season: Release the hounds!

Now that yesterday was the official release day for Diverse Energies, both fall Tu books are officially out! Go forth and purchase! Tell your friends! Tell your family! Buy one for the dog!

It looks like the hardcover is not quite released yet on Amazon, which means that books are en route to their warehouses from our warehouse, and that pre-orders will start shipping soon. The Kindle version is available as well. So go ahead and pre-order the hardcover if Amazon is your thing—it’ll be along very soon.

At B&N, the Nook version is available and the hard copy is orderable both in person and online. You can also find it at most major online retailers, and directly from Lee & Low on our site (click the cover). The e-book will also soon be available in the Google Play store and iBookstore.

If you prefer a local independent, make sure to ask your local indie to stock it if they aren’t already doing so! Your word of mouth makes a huge difference for small presses like us. If you’re in Oregon or want to order online from Powells, I know that Powells Cedar Hills has signed copies (by Cindy Pon and Malinda Lo) left from a Sirens signing, so you might be able to track those down.

 

And if you haven’t checked out Summer of the Mariposas yet, it’s been out for a couple weeks already! What are you waiting for? If you’re in Texas, I hear that the book is in the Local Author section of a few B&Ns. If it’s not in yours, request it! Same for your local indie. For ordering online, it’s available at all major retailers in hardcover (including on the Lee & Low site—click the cover) and e-book. Google Kindle Nook iBooks

And if you’re more of a library type, if your local library system hasn’t already ordered the book, be sure to request it! Both books have gotten GREAT reviews (I’ll post a few below) and any library would be enriched to have them.

For teachers and school librarians, you can contact our sales department directly to place large orders, or you can use our website (which takes purchase orders).

And when you have finished the books and savored them, may I ask that you review them at the online venue of your choice? Reviews at Goodreads and Amazon really help out, if you’re looking for a way to support Tu Books!

 

Praise for Summer of the Mariposas

“In her first fantasy, Pura Belpré winner McCall (Under the Mesquite, 2011) tells the story of five sisters and their myriad adventures as they travel from their home in Texas to Mexico. 

When narrator and eldest Odilia and her sisters, Juanita, Velia, Delia and Pita, find a dead man in their swimming hole, Odilia wants to call the authorities. She is soon overruled by her sisters, who clamor to return the man to his family and visit their grandmother, all of whom live in Mexico. What follows is a series of adventures that hover somewhere on the border between fantasy and magical realism as the sisters are helped and hindered by supernatural forces including Latin American legends La Llorona, lechuzas and chupacabras. . . . Originality and vibrancy shine through to make [this story] a worthwhile read.”Kirkus Reviews

“While Summer of the Mariposas deals with highly fantastic elements (the girls battle witches, chupacabras, and trickster demons, to name a few), this is ultimately a story about family and bonds that can never be broken. I absolutely adored this book. Everything about it, from the sisters and magic to that GORGEOUS COVER (!!), Summer of the Mariposas was a complete homerun. The imagery was beautiful, the wording was remarkable, the characters were fleshed out so well I felt as though I knew them.”—Leah Rubenstein, “The Pretty Good Gatsby”

“This unusual mythic reality tale . . . [is] a darn good story [and] it has a lyrical quality and structure that will appeal to readers who read for literary value.”—“GenreFluent”

“These are colorful characters, crowding the stage, all waiting for their turn to speak or act. It’s The Odyssey, with Mexican-American, female adventurers set against the background of a whole new land. . . . Long live the Garza girls.”Tanita Davis, “Finding Wonderland”

“As a fun adventure story of 5 Mexican American sisters living on the border between Mexico and the U.S., this book has definite merit. There is a lot of between-the-lines information about Mexican and Mexican American culture (including such events as quinceaneros parties), a nice glossary of the some of the Spanish terms used, and terrific little Spanish proverbs or sayings at the beginning of each chapter. . . . I learned a lot!”—Betsy Farquhar, “Literaritea”

 

Praise for Diverse Energies

In an afterword, coeditor Monti writes about a heated 2009 discussion (dubbed “RaceFail 09”) regarding race in fantasy and science fiction, and how his reaction was to put together a collection showcasing “this wonderful, blended, messed-up world.” Hence this book, which feels different than the usual fare—characters, settings, and authors come from all across the global spectrum—and, maybe more to the point, proves to be not that different at all. It starts off with a fabulous one-two punch: Ellen Oh’s devastating “The Last Day,” about a future global war and the horrific Hiroshima-like aftermath; then “Freshee’s Frogurt,” a wild, violent, and funny excerpt from Daniel H. Wilson’s Robopocalypse (2011). In general, the subsequent stories fall on the more thoughtful, brainy side of the sf spectrum. Two standouts are Paolo Bacigalupi’s “A Pocket Full of Dharma,” about the reincarnation of the Dalai Lama on a portable storage drive; and Cindy Pon’s “Blue Skies,” a wistful have/have-not tale from a smog-filthed future Taipei. A solid introduction to a number of highly talented writers.—Daniel Kraus, Booklist

“As the title promises, this sophisticated science-fiction anthology is diverse in nearly every sense of the word. Beyond their being science fiction, no single element or quality unites the collection’s stories. However, the anthology was created in response to concerns that mixed-race characters, non-Western characters, LGBTQ characters and characters of color were underrepresented in young adult fiction, and most stories bring one or more of these underrepresented identities to the foreground. Readers will find poor children working in mines and factories, a have-not yao boy kidnapping a rich you girl and a girl reeling as the world inexplicably changes around her, and no one else notices. Although many stories imagine bleak futures, their tones are refreshingly varied. Daniel Wilson’s tale of a robot attack at a frozen-yogurt shop takes the form of an almost-comical police-interview transcript. Ursula K. LeGuin’s ‘Solitude’ is a sweeping, nostalgic epic. K. Tempest Bradford’s ‘Uncertainty Principle’ is a character-driven time-travel tale. Understanding many of the stories takes patience: Readers are plunged quickly into complex worlds, and exposition often comes slowly. Careful, curious readers will be rewarded, though probably not comforted, by the many realities and futures imagined here.”Kirkus Reviews

“This is a book I’ve been thrilled about ever since I saw it at ALA. It’s filled with incredible dystopian stories from some of the top authors out today and all of the stories feature brilliantly diverse characters. This has the potential to be a huge hit and I cannot wait to hear how much everyone loves it!”Danielle, “There’s a Book”

“My three favourite stories are “Blue Skies”, “Good Girl” and “Solitude”. I found these stories the most thought provoking and loved the way the world creation added to the message of each story. The imagery supported the feelings of the characters – all of whom I found to be compelling in their own ways. “Solitude” I think works perfectly as short story as do the other two, but I would love for “Blue Skies” and “Good Girl” to be turned into full lengthy novels, because the worlds and characters still have much to offer.
I enjoyed Bradford’s story and the premise makes this one of the best time-travel tales I’ve read. It amazes me how Bacigalupi’s and Kanakia’s stories manage to create such a strong sense of environment in the span of a short story. . . . “Pattern Recognition” and “What Arms to Hold” got me thinking about the rights of the child and the importance of questioning those in authority. “The Last Day” is well-written and thought provoking – in that depressing sort of way all stories about the futility of war make us think.”Katja, “YA’s the Word”

“When I first heard the premise of this anthology, I was thrilled. Science fiction and dystopia stories about multicultural characters and worlds written by diverse authors? Sign me up! . . . Most of the stories were very good, and I think they explored the idea of diverse futures very well.”—Jia Vergara, “Dear Author”

New Visions Award–deadline approaching!

I haven’t been blogging very consistently, I know—which made me only realize today that despite my many mentions of it on Twitter and Facebook, I haven’t yet talked about our New Visions Award here on the blog yet! With less than a month left before the deadline, I wanted to go a little into further detail about why we’re running this contest, and why you should share it far and wide with all your writer friends!

As you know, I focus on diversity in fantasy, science fiction, and mystery. We don’t require that our writers be people of color. Writing cross-culturally is perfectly valid—we’ve talked a lot here about how important it is to get a culture right if you’re writing cross-culturally, and to me, that’s what matters most when it comes to diversity in our books: that the books themselves reach beyond the status quo, and get it right while doing so.

But a vital part of getting it right is also welcoming voices from those communities we’re talking about, discovering new voices and adding them to the choral symphony. Look at CCBC’s 2011 numbers—the number of writers of color have mostly stagnated at roughly 6% of all books published, with roughly 8% of all books published featuring significant content about people of color (including formulaic non-fiction). Compare that with the population at large, which is roughly 25% PoC—or to the percentage of kids of color, our audience, which is fast approaching 50%—and you can see how stark those numbers really are, how bad we’ve been as an industry at offering “mirror” content to our readers and at sharing voices from their communities. If we were able to break it down into genres (does anyone have access to that kind of information? I’d love to see it), I have a feeling that YA SF and fantasy would have numbers that would look much worse.

So with that in mind, we started the New Visions Award, modeled after Lee & Low’s New Voices Award, to seek out new voices in genre fiction for young people. All the details can be found at our site (plus some awesome words about the contest from awesome people like Mitali Perkins and Nikki Grimes), but I’ll post a bit of it here so you can get an idea of what we’re looking for:

TU BOOKS, the fantasy, science fiction, and mystery imprint of LEE AND LOW BOOKS, award-winning publisher of children’s books, is pleased to announce the first annual New Visions Award. The award will be given for a middle grade or young adult fantasy, science fiction, or mystery novel by a writer of color. The Award winner receives a cash grant of $1000 and our standard publication contract, including our basic advance and royalties for a first time author. An Honor Award winner will receive a cash grant of $500.

TU BOOKS was launched in 2010, dedicated to diversity in the beloved genre fiction market for young people. Titles include Wolf Mark, Tankborn, and Cat Girl’s Day Off. This fall will bring the publication of Morris Award nominee and Pura Belpré Award winner Guadalupe Garcia McCall’s Summer of the Mariposas. For more information about TU BOOKS, visit leeandlow.com/p/tu.mhtml.

Eligibility:

  1. The contest is open to writers of color who are residents of the United States and who have not previously had a middle grade or young adult novel published.
  2. Writers who have published work in other venues such as children’s magazines or picture books, or adult fiction or nonfiction, are eligible. Only unagented submissions will be accepted.
  3. Work that has been published in its entirety in any format (including online and self publishing) is not eligible. Manuscripts previously submitted to TU BOOKS will not be considered.

Dates for Submission:

Submissions will be accepted from June 1, 2012, through October 31, 2012, and must be postmarked within that period.

Notice that the deadline is coming up at the end of this month!! So please share on Facebook and Twitter, share with your writing groups, share with your listservs—post it wherever it might be appropriate to share it around. Let your writer friends know! And if you, reading this right now, have a book that would be right for me, send it along!

I’d also add for those who aren’t new writers of color who want to submit a book to me, we’re always open to submissions from all writers, both agented and unagented, in our general submissions.

Once Upon a Time–Season 2 opener (BEWARE OF SPOILERS)

I just finished watching the first episode of this season of Once Upon a Time. I enjoyed the first season of the show, but did wonder why “all” the fairy tales seemed to include only tales from Europe. (However, I actually don’t wonder why it was at least tokenly diverse, as I’ve seem some wonder; actually, Europe in the Middle Ages was probably more diverse than we usually imagine it. Shakespeare wrote of “blackamoors” and the Romans were a diverse lot who ranged all over the continent and made soldiers of all their conquered foes, not to mention the Huns in Eastern Europe (I’m not well-versed on how far west the Huns got, though), and Middle Eastern cultural exchange/influences, including the Jewish diaspora. There’s another post there about how often what we’ve been taught/shown in common media contributes to these assumptions about the whiteness of history, but I digress. My point is that though diverse populations perhaps weren’t nearly as large in Europe in the Middle Ages and Renaissance as they are today, people of color were also not unheard of in places usually thought of as ethnically white.)

My point here is that it was refreshing, then, to have Mulan show up in the first episode of the season. Yay for strong Asian female characters!

Well, character. Singular. It’s only the first episode of the season, so it remains to be seen whether we’ll see more people from Mulan’s world. But this episode brought up a lot of questions that I wanted to just make a list of, in hopes that there will  be answers eventually; I’ll try to remember to revisit this later in the season to see if they’ve been addressed. The show has done a pretty good job, after all, of answering the questions it raises, if excruciatingly slowly.

Reminder: here be SPOILERS. You’ve been warned. Read more

Tech decisions

I had an 80gb Ipod Classic, which lasted me at least 5 years, maybe six. I think I bought it in 06 or 07. It died earlier this year and I’ve been trying to make do with my phone. I have a great phone. I love it. I’m not going to buy the Iphone 5 because I have everything I need on the phone… except Itunes. Pretty much everything is covered on my Android (Galaxy Nexus) but a good music management + podcast app in one, and I want to be able to watch the videos I have bought on Itunes, too. (I have unlimited data, so most of what I watch on my phone—at lunch, for example, or while out walking to/from the train—is streamed on Hulu or Netflix, but you can’t stream underground on the subway, and you can’t read on the subway ALL the time; not to mention Doctor Who doesn’t stream current episodes here in the States, at least.) I can’t figure out how to make any of the Android podcasting apps work right for my podcast playlists (I make playlists of Talk to Me in Korean lessons, for example, that I want to listen to in order); Google Music can’t seem to figure out that no, the order is NOT Lesson 1, Lesson 10, Lesson 11, Lesson 12, … Lesson 2, Lesson 20… No app that promises to import well from Itunes has done it right, and I’ve tried several. It’s all a big headache.

So my plan is to go back to what was working: my phone for everything but music and the occasional offline video or game.

Which leads us to the choices:

  • 160 gb classic—will hold everything, but tiny video screen for porting around the few offline videos I want (Doctor Who and a few old anime series), being able to watch video on the subway. This is pretty much what I used my old dead Ipod for, except it was 80gb. Nice room to grow for new music, and more. I liked the clickwheel for a few old-fashioned games, too.
  • Ipod Touch. Don’t ever plan to get an iphone, but I wouldn’t mind a Touch as a secondary device. Biggest possible size is only 64 gb, though, which is part of the problem with my phone (it’s like a more expensive version of a shuffle, which is silly), but at least I could move all the music there, and everything else would stay on my phone. More expensive for less storage space, but a nice big screen for an ipod (but as a phone/streaming device/most apps I use, my Galaxy still has Iphone beat). I wouldn’t mind trying out the camera, too–from what I can tell, it does seem to have better optics than my cell phone camera (though either would just be for snapshots; I use my SLR for important pictures, but I don’t carry my SLR around with me—the dang thing is too heavy for everyday use).
  • Buy an older Ipod off e-bay or whatever for cheap. Who cares about screen size if you can get the same thing you’ve been wanting your poor dead ipod to do for months, and not finding a good alternative in what you’ve got on hand? (Though I note that someone thinks they can get $268 out of me for a Classic that only costs $249 brand new on Apple’s site).

If you were me—and by that, I mean relatively poor, have no need to changes phones (just upgraded to my current phone in April), had my usage patterns, etc.; I truly mean if you were me, not if you with your own set of circumstances were in a position to have these choices, if that makes sense—which would you choose?

I’m leaning toward the Touch, but that feels super extravagant when I already have a phone that does most of what the Touch does. The only real advantage to it is the screen size, and how often would I use it?

There is ONE more option, I suppose, which might work, as far as having portable Itunes, but it’s an option I wouldn’t be able to afford for a while: an Ipad. It’s certainly an idea I’ve toyed with, but it’s also the least portable of the options (I can’t clip it to my waist and go for a bike ride, which I always did with my ipod), and the most expensive.

So… you’re now in my shoes. What would be your vote?